I wonder if The Nutcracker is to ballet dancers what “Pomp and Circumstance” and Pachelbel’s Canon in D are to musicians: something trite to be endured because that’s what people pay you to perform. I am sure dancers must sneer at The Nutcracker. The unwashed millions don’t bother with ballet the rest of the year, but come December, everyone is pouring through the doors. And it’s been revived and conceived in every possible manner by every single ballet company. It’s not exactly the strongest of stories: the main conflict is pretty much resolved halfway through the first act, and then the rest of the night is spent watching Clara watch other people dance for her.
The other night I went with Marianne to see her little sister dance in a ballet recital. Any guesses what she danced to? Come on, it’s December.
So perhaps I should be a little ashamed to admit that I adore The Nutcracker. Almost obsessively. I used to put on my favorite nightgown, turn off all the overhead lights and dance with my nutcracker around the flickering lights of the Christmas tree. Sometimes I put on my slippers so I could slide over the carpet, pretending I was doing some actual kind of dancing.
My imagination was caught up in the magic of the music–and even the most jaded of people must admit that The Nutcracker has a great deal of inherent magic, even if you have heard those tunes hundreds of thousands of times. As I listened and danced, I pictured the Christmas tree growing hopelessly large around me, and my Nutcracker fighting the Rat King. One of the first cassette tapes I wore out was of The Nutcracker Suite. (I was given a replacement CD of the entire ballet, so don’t worry!)
Now, I must admit that my love of The Nutcracker extends more toward Tchaikovsky’s music than to necessarily sitting through the whole ballet. Right now, I am watching a version of it from the Royal Opera House in London. It seems to be set in the 18-teens/early 1820s. (Thanks, Marianne, for helping me diagnose!) And frankly, it’s nice in the background as I type, but wouldn’t hold me otherwise.
Now, when it comes to choosing Nutcrackers to like, there are a lot of criteria to satisfy. I am of the camp that prefers traditional, classic beauty to stark and modern. I also think this ballet needs a great deal of magic: mystery, longing, and impeccable, joyous dancing. A good production of The Nutcracker should leave you breathless. After all, there are lots of moments in which to do so: the growing of the Christmas tree, the Dance of the Snowflakes, the heart-wrenching Pas de Deux. The music often expresses emotions so large that unless the staging and the choreography match it, the moment is a let-down. Not to mention that unless a production keeps topping itself with magical moments, it’s easy to get bored. (Light on plot, remember?)
Watching any production of The Nutcracker lately makes me long to re-watch last year’s Nutcracker–the one from the San Francisco Ballet. (Review here: http://www.saturdaymatineeblog.com/2008/12/) I have never seen a production that held my attention so raptly from beginning to end. In full disclosure, I was let down once or twice–the Waltz of the Flowers left me strangely unmoved, for example. But by and large, this is the version I love best of all the versions I’ve seen.
The action in this version is moved to the 1915 World’s Fair. And what a great year for magic: gauzy, ethereal dresses, and the aching beauty which hovers over anything set in the Edwardian Era. In just a few short years, everything will have turned “modern.” Gone will be the beautiful, graceful, slow old world. And in a way, gone will be a world in which magic can happen, where anything is possible.
In point of fact, Tchaikovsky composed the music in the 1890s, in that same fast-fading world. And even though he didn’t know that the world around him was about to change forever, the feeling is in the music. Listen to it.
Maybe you won’t like it as much as I do. (After all, few people do love The Nutcracker like I do.) But isn’t there something in all of us that wants a world where Christmas trees grow to yearning, pulsing music, and the Queen of the Snowflakes dances before us with her King?
I know I do. And I’m not ashamed to admit it.
(To see if the San Francisco Ballet Company’s Nutcracker will be repeated in your area on PBS, click here and poke around.)


















